This device possess a new graphics processor Radeon Pro 500, so the image on the screen is just amazing. CCPK 13' Laptop Sleeve 13 Inch Cover Protective Case Compatible with Apple MacBook Air 13.3 Inch Mac Pro M1 Surface Lenovo Dell HP Bag Computer Pouch Accessories Travel Carrying Case Neoprene, Black 4.6 out of 5 stars 6,519Apple has released a majorly redesigned MacBook Pro, and we put it through in-depth testing to see how it holds up for filmmaker needs.The iMac 27' is the best Mac computer for photo editing. Offering speedy USB 3 data transfer, your Apple laptop includes a USB-C port that also provides charging and video output, allowing you to easily connect a variety of devices, including a portable printer.A sixth-generation Intel Core M processor combines with macOS for a system that generates minimal. For crystal clear visuals, Mac laptops feature a thin Retina display with edge-to-edge glass.Display scaling but only if the window fills a good fraction of the laptop screen.If you need a laptop to work with very high-resolution RAW files, like the ones from the a7RII or the Canon 5dSR, I would recommend a higher-end processor. It’s everywhere.MacBook Pro 2016 and up - These computers use Thunderbolt 3 outputs. Feature films have been edited and (yes, really) color graded on it countless blog posts, screenplays, and novels have been written on it. The oMBP is a workhorse of the film industry. 1/7.The MacBook Pro has been a mainstay for filmmakers, so for this review, we’ve decided to compare the new 15” MacBook Pro (nMBP), specced to the maximum, for a retail value of $3950, against a 15” 2013 MacBook Pro (oMBP), specced to the max, available at launch for $2700, purchased used refurbished for a little under $2000. It runs on the Intel Core i7 CPU with support for various functions.In order to power the Retina display, Apple designed the Retina 15” MacBook Pro to have both a mobile graphics card (originally an Nvidia, then an AMD) and integrated graphics (Intel iris). Credit: Apple OverviewThe main reason the oMBP took off in the way it did was the dual graphics cards. But does it stack up against the machine that has come to so heavily dominate the world of filmmaking?There are some design decisions that are frankly kind of surprising, and filmmakers should think long and hard as to whether the upgrade is worth the cost.It is a beautiful box. SSD Capacity The speed and capacity of the internal drive will provide instant access to the material.Apple is hoping to hold on to that ubiquity with the new MacBook Pro, even including a presentation from the Final Cut Pro team and from Adobe at the launch event. 16 GB is good for future-proofing, unless you are handling advanced tasks like creating a RAM disk.If you need a Mac for video editing or a laptop for streaming Twitch, get a device with at least 8GB of RAM (16GB is required for 4K editing, 3D work, and 360 ° video editing).
However, it weighs in roughly the same, and “feels” the same size, more or less. Credit: No Film SchoolWhile the physical size of the oMBP already thin, having abandoned the internal disc drive in 2011, the nMBP managed to be even thinner, as can be seen in the side-by-side photo. With its 4GB of maximum video RAM, ultra fast Thunderbolt 3 port, and redesigned cooling system, the new Macbook Pro looks poised to stay on top, but there are some design decisions that are frankly kind of surprising, and filmmakers should think long and hard as to whether the upgrade is worth the cost.Old and New side by side, ever so slightly thinner. All of the sudden, you could run DaVinci Resolve and other GPU heavy programs on a laptop, as long as you kept it plugged in to wall power.With the increasing focus on powerful GPUs in mobile workstations, the area of "on set mobile video processing powerhouse" is about to become a battleground, with Apple the current market leader hoping to hold on to their place at the top. However, smart programmers immediately took advantage of the horsepower and designed programs that would use the integrated graphics card to power the GUI on screen display even while plugged in to wall power, and use the real graphics card (in the 2013, an Nvidia GeForce GT 750M—M standing for mobile) for graphics processing power. The machine starts up nearly immediately, but so did the 2013. However, considering the price in this case, we really do expect it to feel snappier. Most of the touch points, the on screen GUI interface, the responsiveness to typing, don’t tend to lag, so “feel” isn’t huge. That’s OK, though, since computers seldom “feel” noticeably faster than the previous generation anymore. Old and New Side by Side Credit: NFS SpeedThe first thing you notice about the nMBP is that it doesn’t feel any faster. It is still a "substantial" feeling machine (not like the old 17", but way more than an Air), and sits comfortably on a desk without slipping and sliding. RAM is vital for filmmakers working with and manipulating big video files. Traditionally, the first thing you do when buying a Mac is to get the lowest RAM you can from the Apple store (since their RAM is so expensive) and buy the most RAM you can afford at another retailer. It is still limited to 16GB of RAM, which Phil Schiller discussed in an interview was to ensure the longest possible battery life.The 16 GB RAM limitation is the first hint that this machine might not be the best choice for filmmakers.The 16 GB RAM limitation is the first hint that this machine might not be the best choice for filmmakers. We worked with both files on the internal SSD, and also with files on external drives, both common situations for filmmakers. So, limiting to 16GB for battery life is very frustrating, since you can't update these machines later You're stuck with a likely insufficient amount of memory.You won't be able to install any upgrades like this in the new Macbook Pro Credit: Other World ComputingIn order to test real world situations and see how the machine actually responds to common filmmaker uses, we set up projects in both Premiere and Resolve, using a variety of H.264, ProRes, and RED RAW files. What we want is to have a powerful machine we can carry with us to different sets and offices (and even in transit on planes or trains), and plug in while we're there. Few filmmakers will be editing features while sitting on a rock in the mountains miles from power (even this amazing filmmaker wasn't trying to edit in the wild). Unlike an iPad or iPhone, which lives on its battery all day, the "mobile" beauty of a laptop isn't about battery life but the portability of power.The "pro" mobile gives you better performance on wall power, and when they are used on a film set there is almost always a power source available. Best Laptop For Photographers 2016 Professional Tool AnymorePotentially you could get better performance by switching to FCPX, but most filmmakers don't want to make their color and NLE decisions based on hardware.With Premiere, we set up two timelines. Premiere and Resolve have a real hold on indie workflows at the moment, and testing how those tools perform on this hardware made the most sense. While the 10.3 release is a major upgrade, and FCPX seems to be gaining ground with the pro market that it lost, it's still just not that common a professional tool anymore. Filmmakers regularly buy new machines and hardware just to speed that render up—if you can save yourself an hour every day of waiting on render, that's a tremendous amount of your life you can get back.Note that we considered testing FCPX, especially since Apple is famous for its tight software/hardware integration, but chose not to. Jailbroken iphone emulator macCaldigit Tuff was perfect for the tests with native connectors for new and old USB Credit: CaldigitThe worst performance from the new MacBook Pro was surprisingly from the internal SSD. We then performed identical functions on each machine, using the newest version of Premiere CC 2017 and Resolve 12.5.4. The second was a more typical setup for longer projects, with a combination of H.264, ProRes and RED RAW media on an external hard drive (a CalDigit Tuff drive). One thing we did notice was that the temperature (measured with our trusty Kingtop) was surprisingly consistent generation to generation. While we didn't notice that frustration in our testing, that is more likely to be a headache for photographers applying the same filter or process over and over in Lightroom than it is to be an annoyance for filmmakers. This is in line with the results gathered by other testers (such as digilloyd, who has been thorough in testing every aspect of the 2016 macbook pro before deciding to return his) where CPU-heavy activities aren't any faster at all, and in some cases are slower, with the 2016 model than they are in earlier generations.CPU-heavy activities aren't any faster at all, and in some cases are slower, with the 2016 model.There have also been some reports that performance decreases over time as you repeat the same heavy processing activity over and over, performance goes down, which could indicate a software bug or perhaps Apple throttling speed in order to keep the device cool. The new one was occasionally even faster, though seldom more than a second or two, and not enough to matter critically.Where the 2016 machine really shines is with RED RAW. Credit: NoFilmSchoolIf your job requires a lot of H.264 encoding out of Premiere, working with exclusive ProRes and H.264 media, and frequently writing from or to (or both) the internal drive, it appears the 20 are identical machines for your purposes. The New Charger stayed slightly cooler than the old one. The older machine's charger got much hotter at 135° compared to the 124° with the new machine, but that is likely at least partially due to its age. ![]()
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